Griffin Theatre Company
For three decades, from its diamond stage in Kings Cross, Australia's leading new writing theatre has been a small but spirited engine room, consistently breaking new ground to create theatre experiences that are innovative, provocative and transformational.
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| AWAY by Michael Gow | ||
| THE BOYS by Gordon Graham | ||
| THE CALL by Patricia Cornelius | ||
| CHINA by William Yang | ||
| CONCUSSION by Ross Mueller | ||
| DON'T SAY THE WORDS by Tom Holloway | ||
| HOLDING THE MAN by Tommy Murphy | ||
| HOLIDAY by Raimondo Cortese | ||
| THE KID by Michael Gow | ||
| KING TIDE by Katherine Thomson | ||
| THE LIGHTKEEPER by Verity Laughton | ||
| THE MODERN INTERNATIONAL DEAD by Damien Millar | ||
| MR BAILEY'S MINDER by Debra Oswald | ||
| NAILED by Caleb Lewis | ||
| THE NIGHTWATCHMAN by Daniel Keene | ||
| OCTOBER by Ian Wilding | ||
| THE PEACH SEASON by Debra Oswald | ||
| SAVAGE RIVER by Steve Rodgers | ||
| SILENT DISCO by Lachlan Philpott | ||
| SONGKET by Noƫlle Janaczewska | ||
| SPEAKING IN TONGUES by Andrew Bovell | ||
| THE STORY OF THE MIRACLES AT COOKIE'S TABLE by Wesley Enoch | ||
| STRANGERS IN BETWEEN by Tommy Murphy | ||
| TENDER by Nicki Bloom | ||
| THREE PLAYS - THE EISTEDDFOD, THE BLACK SWAN OF TRESPASS, SMASHED by Lally Katz | ||
| TORREZ by Ian Wilding | ||
| WONDERLANDS by Katherine Thomson |