| | | |
| ALBERT NAMES EDWARD by Louis Nowra | | |
| ALIAS by Roslyn Taylor | | |
| AM I YOUR DREAM? by Camille Scaysbrook | | |
| AND THE BESTMAN MAKES THREE by Patricia Johnson | | |
| ARTISTIC TRUTH by Michael Jeffery | | |
| AUSTRALIAN GAY & LESBIAN PLAYS by Bruce Parr (ed) | | |
| BABY BOOMER BLUES by Alan Becher | | |
| BANG ON THE NERVE by Van Badham | | |
| BARMAIDS by Katherine Thomson | | |
| BIG HAND, LITTLE HAND by Bruce Keller | | |
| BILL AND MARY by Bille Brown | | |
| THE BIRD PARLIAMENT by Jane Ahlquist | | |
| BIRTHS, DEATHS AND MARRIAGES by Suzie Miller | | |
| BOATS by Finegan Kruckemeyer | | |
| BUTTERFLY DANDY by Alana Valentine | | |
| CAPITAL by Van Badham | | |
| CONNIE AND KEVIN AND THE SECRET LIFE OF GROCERIES by Noelle Janaczewska | | |
| CONSTRUCTION OF THE HUMAN HEART / (THE PILOT VERSION OF) SOMETHING TO DIE FOR by Ross Mueller | | |
| CONTROLLED CRYING by Ron Elisha | | |
| CURTAINS FOR BIGGLES by Simon Luckhurst | | |
| DEADLINE - STAGE VERSION by Marian Devitt | | |
| DIY by Steve Taylor, Kevin Densley | | |
| DON'T BREATHE A WORD OF IT by Rachael Hains-Wesson | | |
| ESCAPE (FROM A BETTER PLACE) by Jan Cornall | | |
| EUROPE by Michael Gow | | |
| FAIR PLAY by Leigh Swinbourne | | |
| THE GIFT GOODBYE by Lisa Jones | | |
| GODS OF SPICY THINGS by Sue Hayes | | |
| THE GOLDEN OLDIES by Dorothy Hewett | | |
| GOOD GRIEF by Frank Wilkie | | |
| THE GREAT MAN by David Williamson | | |
| GROWING DOWN by Daryl Peebles | | |
| HALF AND HALF by Daniel Keene | | |
| A HANDFUL OF FRIENDS by David Williamson | | |
| HOLIDAY by Raimondo Cortese | | |
| HOLIDAY IN ELSINORE by Jack Opie | | |
| HONOUR KILLING by Ron Elisha | | |
| HOODS by Angela Betzien | | |
| HOVER by Emilie Collyer | | |
| IF ONLY THE LONELY WERE HOME by Finegan Kruckemeyer | | |
| IN A MOSH PIT NO ONE CAN HEAR YOU SCREAM by David Brown | | |
| INNER VOICES by Louis Nowra | | |
| INSIDE OUT by Mary Rachel Brown | | |
| IS THAT YOU NANCY? by Sandra Shotlander | | |
| KEEP EVERYTHING YOU LOVE by David Brown | | |
| KITCHEN by Van Badham | | |
| LANDING DELAYED by Joan McGillivray | | |
| LIFE DRAWING by Julia Lewis | | |
| THE LITTLEST BIRD by David Ryding | | |
| LOVE CHILD by Joanna Murray-Smith | | |
| LOVE FIELD by Ron Elisha | | |
| LOVELINES by Philip Witts | | |
| THE MAINTENANCE ROOM by Gerry Greenland | | |
| THE MAPMAKER'S BROTHER by Alana Valentine | | |
| MATES by Peter Kenna | | |
| THE MESSENGER by Robert Jeffreys | | |
| THE METHOD by Jodi Gallagher | | |
| A MOMENT'S HESITATION AS SHE CHANGES THE EXPRESSION ON HER FACE by Jeffrey Fereday | | |
| MORNING ON A RAINY DAY by Van Badham | | |
| MOSQUITO by John Pratt | | |
| A MOST DESIRABLE PROPERTY by Patricia Harris | | |
| THE MUSLIM SINNER by Ramez Tabit, Johann McIntyre | | |
| MUTTABURRASAURUS by Damon Lockwood | | |
| MY NAME IS SUCH AND SUCH by Bogdan Koca | | |
| MY VICIOUS ANGEL by Christine Evans | | |
| THE NEW BLACK by Robert Reid | | |
| NINETY by Joanna Murray-Smith | | |
| NORM AND AHMED by Alex Buzo | | |
| NOW, IN TERMS OF YOUR LIFE, IRENE by Marian Devitt | | |
| NUDE ALL-STARS ON THE MANGO PLANET OF LOVE by Simon Luckhurst | | |
| OFTEN I FIND THAT I AM NAKED by Fiona Sprott | | |
| OH BROTHER, MUM'S THE WORD by Edwina Toohey | | |
| ON TOP OF THE WORLD by Michael Gow | | |
| ONE LONG NIGHT IN THE LAND OF NOD by Duncan Graham | | |
| PARALLAX ISLAND by Maude Davey, David Pidd | | |
| POPE JOAN by Shaun Rigney | | |
| PRI-MATES by Damon Lockwood | | |
| THE PROSPECTORS by Alana Valentine | | |
| PUTTING BACK THE FEST by Michael Jeffery | | |
| THE RECKONING by Bridget Di Certo | | |
| REFUSAL by Stephen Davis | | |
| REHEARSING THE SHOWER SCENE FROM 'PSYCHO'. by Barry Lowe | | |
| RELATIVE MERITS by Barry Lowe | | |
| A ROOM WITH NO AIR by Regina Heilmann, Deborah Leiser-Moore | | |
| RUNNING UP A DRESS by Suzanne Spunner | | |
| SANCTUARY by David Williamson | | |
| SARDINES by Hellie Turner | | |
| SCENES FROM AN AFFAIR by Alex Broun | | |
| SELF SERVICE by Irene Coates | | |
| SHAFANA AND AUNT SARRINAH by Alana Valentine | | |
| THE SHOE-HORN SONATA by John Misto | | |
| SHONDELLE THE TIGER by Terence Crawford | | |
| SMOKE AND MIRRORS by Sue Murray | | |
| SNORKEL by Richard Bladel | | |
| SUGAR by Andrea Gillies | | |
| SUSANNAH'S DREAMING by Dorothy Hewett | | |
| SWEET PHOEBE by Michael Gow | | |
| SWEET STACCATO RISING by Robert Reid | | |
| THIS BITCH CALLED HOME by Catherine Cresswell | | |
| TIME AND TIDE by John Britton | | |
| A TOUCH OF THE AMBER LIQUID by Franz Docherty | | |
| TRANSACTIONS by Scott McAteer | | |
| A TREE, FALLING by Ron Elisha | | |
| TRIPTYCH 1: SPARRING PARTNER by Bogdan Koca | | |
| TRIPTYCH 2: ANNETTE AND ANNETTE by Bogdan Koca | | |
| TRIPTYCH 3: GUNTER’S WIFE by Bogdan Koca | | |
| TWO by Ron Elisha | | |
| UNCOMFORTABLE SILENCES by Andrew O'Keefe | | |
| VICTOR AND SASS by Kathleen Cantarella | | |
| WALKING BY APPLE TREE CREEK by Ian Brown | | |
| WATER FALLING DOWN by Mark Swivel | | |
| WHO THE FUCK IS ERICA PRICE by Sarah Brill | | |
| WILL AND THE GHOST by Aoise Stratford, Conal Condren | | |
| WINTER AS FRIDA KAHLO by Fredric Lleaf | | |
| THE WOMAN ON THE TWENTY DOLLAR NOTE by Margaret Davis | | |
| WRETCH by Angus Cerini | | |
| X RAY by Chris Tugwell | | |
