| | | |
| 19 TRAINS by Angus Cerini | | |
| 25 DOWN by Richard Jordan | | |
| ADAM AND EVE by Genevieve Yates | | |
| AFTER THE BALL by David Williamson | | |
| AFTERSHOCKS by Paul Brown and the Workers Cultural Action Committee | | |
| ALBERT NAMES EDWARD by Louis Nowra | | |
| THE ALIENS by Jackie Smith | | |
| ALIWA! by Dallas Winmar | | |
| ALL STOPS OUT by Michael Gow | | |
| ALL THE BLACK DOGS by Marilyn Allen | | |
| AMBIDEXTERITY by Catherine Ryan | | |
| ANAIS NIN - ONE OF HER LIVES by Wendy Beckett | | |
| THE ANATOMY LESSON OF DOCTOR RUYSCH by Hilary Bell | | |
| AND NO MORE SHALL WE PART by Tom Holloway | | |
| ANGELLS AFFECT by Lisa Jones | | |
| ANTIGONE by Sophocles (adapted by Eamon Flack) | | |
| APART by Anna Bennetts | | |
| APPALLING BEHAVIOUR by Stephen House | | |
| THE APPLE by Inez Bensusan | | |
| APRIL'S FOOL by David Burton | | |
| THE ART OF STRAYING by Suneeta Peres da Costa | | |
| ASYLUM by Kit Lazaroo | | |
| THE AUGUST MOON by Adam Grossetti, Jean Marc Russ | | |
| AUSTRALIA PLAYS by Katharine Brisbane (ed) | | |
| AWAY by Michael Gow | | |
| BACK POCKET by Michael Jeffery | | |
| BANSHEE by Jodi Gallagher | | |
| BARE WITNESS by Mari Lourey | | |
| BARKING DOGS by Norman Price | | |
| BARMAIDS by Katherine Thomson | | |
| A BEAUTIFUL GESTURE by Ross Mueller | | |
| A BEAUTIFUL LIFE by Michael Futcher & Helen Howard | | |
| BEAUTIFUL WORDS by Sean Riley | | |
| BEAUTY AND THE BEAST by David Holman | | |
| BECAUSE by Stella Kent | | |
| BELONGING by Tracey Rigney | | |
| BELOW by Ian Wilding | | |
| BETHANY by Daryl Peebles | | |
| BETWEEN THESE LINES by Michael Butler | | |
| BEYOND THE NECK by Tom Holloway | | |
| BIG SKY TOWN by Amelia Roper | | |
| BIG TOYS by Patrick White | | |
| BILL AND MARY by Bille Brown | | |
| BIRTHRIGHTS by David Williamson | | |
| BISON by Lachlan Philpott | | |
| BLACK by Anna Tregloan | | |
| BLACK MEDEA by Wesley Enoch | | |
| THE BLACK SEQUIN DRESS by Jenny Kemp | | |
| BLACKROCK (PLAY) by Nick Enright | | |
| BLAME IT ON THE MOON by Donna Cameron | | |
| BLIGHCOSIS by Gary Files | | |
| BLOOD LIBEL by Ron Elisha | | |
| THE BLOOD ON HELMUT LANGE by Gerry Greenland | | |
| BLOOD ORANGE by Noelle Janaczewska | | |
| BLURRED by Stephen Davis | | |
| BOHEMIAN GROVE by Jeremy Johnson | | |
| THE BOOK OF EVERYTHING by Richard Tulloch | | |
| THE BOUGAINVILLE PHOTOPLAY PROJECT by Paul Dwyer | | |
| BOXING DAY TEST by Michael Hill | | |
| THE BOYCE TRILOGY by Louis Nowra | | |
| THE BOYS by Gordon Graham | | |
| BREAKING GLASS by Jeanne Mazure | | |
| THE BRIDGE by Chris Thompson | | |
| BRINGING DOWN THE MOON - RADIO by Donna Cameron | | |
| BROKEN HEARTS (STAGE AND RADIO) by Bruce Shearer | | |
| BRUMBY INNES/BID ME TO LOVE by Katharine Susannah Prichard | | |
| BUMMING WITH JANE by Tahli Corin | | |
| BURIED CITY by Raimondo Cortese | | |
| BURKE'S COMPANY by Bill Reed | | |
| BURNING by Verity Laughton | | |
| BURNOUT by Ian Nash | | |
| BURNT by Tom Lycos and Stefo Nantsou | | |
| BURST OF SUMMER by Oriel Gray | | |
| THE BUSINESS by Jonathan Gavin | | |
| BUSTOWN by Lachlan Philpott | | |
| THE BUTCHER'S WIFE by Noelle Janaczewska | | |
| CACTI by Evelyn Tadros | | |
| CAFE SCHEHERAZADE by Therese Radic | | |
| THE CAKE MAN by Robert Merritt | | |
| THE CARER by Alan Hopgood | | |
| CARNIVAL MAN by Daryl Peebles | | |
| CARRYING SHOES INTO THE UNKNOWN by R. Johns | | |
| THE CHAPEL PERILOUS by Dorothy Hewett | | |
| CHARITABLE INTENT by David Williamson | | |
| CHECKLIST FOR AN ARMED ROBBER by Vanessa Bates | | |
| A CHEERY SOUL by Patrick White | | |
| CHICAGO, CHICAGO by John Romeril | | |
| CHILD OF THE DARK SUN by Justin Fleming | | |
| CHILDREN OF THE BLACK SKIRT by Angela Betzien | | |
| CHILDREN OF THE SUN by Jill Webster | | |
| CHINA by William Yang | | |
| THE CHOIR by Errol Bray | | |
| CHOKING IN THE COMFORT ZONE by Stephen Carleton | | |
| THE CHRISTIAN BROTHERS by Ron Blair | | |
| CHRYSALIS by Dina Ross | | |
| CIRCUS CARAVAN by Donna Abela | | |
| CLOUDSTREET by Nick Enright & Justin Monjo | | |
| THE COBRA by Justin Fleming | | |
| CODE NAME: ANGEL STAR by Donna Cameron | | |
| CODGERS by Don Reid | | |
| COLD HARVEST by Noelle Janaczewska | | |
| COLDER by Lachlan Philpott | | |
| CONCUSSION by Ross Mueller | | |
| CONSTANCE DRINKWATER & THE FINAL DAYS OF SOMERSET by Stephen Carleton | | |
| CONSTRUCTION OF THE HUMAN HEART / (THE PILOT VERSION OF) SOMETHING TO DIE FOR by Ross Mueller | | |
| A CONVERSATION by David Williamson | | |
| CONVERSATIONS WITH THE DEAD by Richard Frankland | | |
| THE COPY ROOM by Jenny Rixon | | |
| CORALIE LANSDOWNE SAYS NO by Alex Buzo | | |
| CORPORATE VIBES by David Williamson | | |
| COUNTING ICEBERGS (ONE ACT) by Frances Rouse | | |
| COUNTING ICEBERGS (TWO ACTS) by Frances Rouse | | |
| COUP D'ETAT by Justin Fleming | | |
| COVERT by Robert Jeffreys | | |
| COX FOUR by Robert Jeffreys | | |
| CRAZY BRAVE by Michael Gurr | | |
| CROSSFIRE by Jennifer Compton | | |
| CROW FIRE by Jadah Milroy | | |
| CROWDED HOUSE by John Romeril | | |
| CRY WOLF by Deborah Mulhall | | |
| DAMAGE by John Romeril | | |
| THE DAMNED by Reg Cribb | | |
| THE DANGER AGE by Kate Mulvany | | |
| THE DARK ROOM by Angela Betzien | | |
| DARKROOM by A.F Lall | | |
| THE DAY BEFORE TOMORROW by Ric Throssell | | |
| DAYS OF LOVE AND SADNESS by Liz Goldman | | |
| DEAD HEART (PLAY) by Nick Parsons | | |
| DEAD SET STRAIGHT by Andrea Lemon | | |
| DEATH BY MISADVENTURE by Evan Watts | | |
| THE DEATH OF PETER PAN by Barry Lowe | | |
| DESIRE by Alex Broun | | |
| DESIREE DIN AND THE RED FOREST by Maxine Mellor | | |
| DESTINY OF A CAR CRASH by Elise McCredie | | |
| THE DIARY OF A MADMAN by David Holman, with Neil Armfield & Geoffrey Rush | | |
| THE DICTIONARY OF IMAGINARY PLACES by Anna Tregloan | | |
| DIMBOOLA by Jack Hibberd | | |
| DIRECT FROM BROADWAY WINNER OF 7 TONY'S! by Jeremy Johnson | | |
| DIRTYLAND by Elise Hearst | | |
| DISCLOSURE by Helen Collins | | |
| DISTANT BODIES by Barnaby Chiverton | | |
| THE DIVER by Peta Murray | | |
| DIVINATIONS by John Kinsella | | |
| DIVING FOR PEARLS by Katherine Thomson | | |
| DO NOT GO GENTLE, THE BERRY MAN by Patricia Cornelius | | |
| DOGS PLAY by Tee O’Neill | | |
| DOING DAWN by Alana Valentine | | |
| THE DOLL TRILOGY by Ray Lawler | | |
| DOLLY STAINER OF KEW COTTAGES by Janet Brown | | |
| DON PARTIES ON by David Williamson | | |
| DON'T SAY THE WORDS by Tom Holloway | | |
| DRAGON FLY by Barry Lowe | | |
| THE DREAMERS by Jack Davis | | |
| THE DROWNING BRIDE by Michael Futcher & Helen Howard | | |
| DUE MONDAY by Lachlan Philpott | | |
| DUMB THINGS by Robert Reid | | |
| EATING ICE CREAM WITH YOUR EYES CLOSED by David Brown | | |
| ELEGY by Jodi Gallagher | | |
| THE ELOCUTION OF BENJAMIN FRANKLIN by Steve J. Spears | | |
| EMBERS by Campion Decent | | |
| ENGINE by Janis Balodis | | |
| ENUFF by John Harding | | |
| THE ESTIMATOR by David Brown | | |
| EUROPE by Michael Gow | | |
| EXIT THE KING by Geoffrey Rush & Neil Armfield | | |
| THE EYES OF MAREGE by Julie Janson | | |
| EYES TO THE FLOOR by Alana Valentine | | |
| FACE TO FACE by David Williamson | | |
| THE FEARLESS PIGEONS by Barry Kay | | |
| FEATURES OF BLOWN YOUTH by Raimondo Cortese | | |
| A FEW ROOS LOOSE IN THE TOP PADDOCK by Tee O’Neill | | |
| THE FIGHTERS by Franz Docherty | | |
| FISH WEDNESDAY by Luke Icarus Simon | | |
| THE FLOATING WORLD by John Romeril | | |
| FLOOD by Eunice Hanger | | |
| FOOTSTEPS by Ross Barrett | | |
| FORGET ME NOT by Damon Lockwood | | |
| THE FORTUNES OF RICHARD MAHONY by Michael Gow | | |
| FORWARD ONE by Katharine Susannah Prichard | | |
| THE FORWARDS AND THE APOLOGY by Stefo Nantsou | | |
| FRACTIONS by Marcel Dorney | | |
| FRAGMENTED by Suzanne Ingelbrecht | | |
| FRAMED by Rhondda Johnson | | |
| FRANCIS KISS by Drew Tingwell | | |
| FREE RADICAL by Russell Beedles | | |
| FREEDOM by Ron Elisha | | |
| FROM THE EDGE - TWO PLAYS FROM NORTHERN AUSTRALIA by Kathryn Ash, Stephen Carleton, Gail Evans and Anne Harris | | |
| THE FRONT ROOM BOYS by Alex Buzo | | |
| FUEL by Robert Reid | | |
| FURIOUS by Michael Gow | | |
| FURIOUS MATTRESS by Melissa Reeves | | |
| GARBAGE by Robert Reid | | |
| THE GARDEN OF GRANDDAUGHTERS by Stephen Sewell | | |
| GARY’S HOUSE by Debra Oswald | | |
| GATHERING by Jodi Gallagher | | |
| THE GAY DIVORCEE by Margaret Fischer | | |
| GEORGIA by Jill Shearer | | |
| THE GETAWAY BUS by Ingle Knight | | |
| GETTING AWAY FROM IT ALL by Catherine Ryan | | |
| THE GHOST WRITER by Ross Mueller | | |
| GHOSTS by Nicki Bloom | | |
| THE GHOSTS TRILOGY by Janis Balodis | | |
| THE GIFT by Joanna Murray-Smith | | |
| THE GIRL I LEFT BEHIND ME by Alex Nicol | | |
| THE GIRL WHO FORGOT TO SING BADLY by Finegan Kruckemeyer | | |
| THE GIRL WHO SAW EVERYTHING by Alma De Groen | | |
| GOD’S LAST ACRE by Vivienne Walshe | | |
| THE GOLDEN AGE by Louis Nowra | | |
| THE GOLDEN OLDIES by Dorothy Hewett | | |
| THE GOLDEN VALLEY by Dorothy Hewett | | |
| GOOD WORKS by Nick Enright | | |
| THE GOVERNOR'S FAMILY by Beatrix Christian | | |
| A GRAVEYARD FOR THE LIVING by Duong Le Quy | | |
| THE GREAT MAN by David Williamson | | |
| GRIEFBOX AND OTHER PLAYS by Susan Bradley Smith | | |
| THE GULLY by David Mence | | |
| GWEN IN PURGATORY by Tommy Murphy | | |
| HALF AND HALF by Daniel Keene | | |
| HALF WAY THERE by Mary Anne Butler | | |
| THE HAM FUNERAL by Patrick White | | |
| A HAPPY AND HOLY OCCASION by John O’Donoghue | | |
| HARBOUR by Katherine Thomson | | |
| A HARD GOD by Peter Kenna | | |
| HARP ON THE WILLOW by John Misto | | |
| HEARTS OF FIRE by Kate Herbert | | |
| HEDDA GABLER by Henrik Ibsen adapted by Andrew Upton | | |
| HELENA AND THE JOURNEY OF THE HELLO by Finegan Kruckemeyer | | |
| HELLO! LAST PAGE OF MY LIFE by Julia Britton | | |
| HERE UNDER HEAVEN by Mona Brand | | |
| HESTER by Wendy Beckett | | |
| HITLER'S DAUGHTER - THE PLAY by Eva Di Cesare et al | | |
| HOLDING THE MAN by Tommy Murphy | | |
| HOLIDAY by Raimondo Cortese | | |
| HOLY DAY by Andrew Bovell | | |
| HOME by Donna Meadows | | |
| HOME by PP Cranney | | |
| HONOUR by Joanna Murray-Smith | | |
| HONOUR KILLING by Ron Elisha | | |
| HOODS by Angela Betzien | | |
| HOTEL SORRENTO by Hannie Rayson | | |
| HOUSE ON FIRE by Debra Oswald | | |
| THE HYPOCHONDRIAC by Paul Galloway | | |
| I DON’T WANNA PLAY HOUSE by Tammy Anderson | | |
| I WILL KISS YOU IN FOUR PLACES by Linda Hassall, Helen Howard, Stephen Carleton, Daniel Evans | | |
| THE ICE SEASON by Verity Laughton | | |
| IF I SHOULD DIE BEFORE I WAKE by Rebecca Lister | | |
| IF ONLY THE LONELY WERE HOME by Finegan Kruckemeyer | | |
| IN THE VIOLET TIME by Sue Smith | | |
| INDECENT EXPOSURE by Barry Lowe | | |
| INFLUENCE by David Williamson | | |
| INHERITANCE by Hannie Rayson | | |
| INNER VOICES by Louis Nowra | | |
| INSIDE OUT by Mary Rachel Brown | | |
| INTO THE WEB by Jane Woollard | | |
| INTO WHITE by Amanda Price | | |
| INVERTEBRATE TRILOGY by Susan Rogers | | |
| ISIS DREAMING by Margaret Davis | | |
| IT JUST STOPPED by Stephen Sewell | | |
| ITHACA ROAD by Robert Kronk | | |
| JANE MY LOVE by Catherine Shepherd | | |
| JOCASTA by Stella Kent | | |
| THE JOCASTA COMPLEXITY by Deborah Mulhall | | |
| THE JOURNEY by Valerie Foley | | |
| JUICE by Stephen Davis | | |
| JULIA 3 by Michael Gurr | | |
| JUST LIKE THAT by Stephen House | | |
| JUST MOLLY AND ME by Patricia Johnson | | |
| KAFKA DANCES by Timothy Daly | | |
| KATHLEEN by Marie Pezet | | |
| KAYAK by Katherine Thomson | | |
| KEEP EVERYTHING YOU LOVE by David Brown | | |
| THE KEYS TO THE ANIMAL ROOM by Peta Murray | | |
| THE KID by Michael Gow | | |
| KID STAKES by Ray Lawler | | |
| KING TIDE by Katherine Thomson | | |
| KINGAROY by Martin Buzacott | | |
| THE KINGSWOOD KIDS by Angela Betzien | | |
| THE KURSK by Sasha Janowicz | | |
| KYNASTON by Stephen Kakavoulis | | |
| THE LANGUAGE OF THE GODS by Louis Nowra | | |
| LAST CAB TO DARWIN by Reg Cribb | | |
| LAST CHANCE GAS by Kevin Densley & Steve Taylor | | |
| LAST DRINKS / RIO SAKI AND OTHER FALLING DEBRIS by Shaun Charles | | |
| LAST ONE STANDING by Ned Manning | | |
| LAST SEEN ENTERING by Patricia Harris | | |
| THE LAST TIME I SAW CALVIN by A.F Lall | | |
| THE LAST WORD by Andrea Gillies | | |
| THE LEGEND OF KING O’MALLEY by Michael Boddy & Bob Ellis | | |
| LIFE AFTER GEORGE by Hannie Rayson | | |
| THE LIFE OF THE PARTY by Ray Mathew | | |
| LIFE WITHOUT ME by Daniel Keene | | |
| LIVE ACTS ON STAGE by Michael Gow | | |
| A LOCAL MAN by Bob Ellis & Robin McLachlan | | |
| THE LOSS by Maryanne Lynch | | |
| LOST LAGOON by Adam Grossetti | | |
| A LOST WORLD by Evan Watts | | |
| LOVE by Patricia Cornelius | | |
| LOVE CHILD by Joanna Murray-Smith | | |
| LOVE FIELD by Ron Elisha | | |
| LOVE ME TENDER by Rhondda Johnson | | |
| LOVE ME TENDER by Tom Holloway | | |
| LOVE POTIONS by Alana Valentine | | |
| LOVE SUICIDES by John Romeril | | |
| LOVE YOUR POISON by Christine Croyden | | |
| THE LUCKY STREAK by James Searle | | |
| MACQUARIE by Alex Buzo | | |
| MAN COVETS BIRD by Finegan Kruckemeyer | | |
| THE MAN IN THE ATTIC by Timothy Daly | | |
| MAN OF BLOOD by John Marshall | | |
| A MAN WITH FIVE CHILDREN by Nick Enright | | |
| THE MAN WITH THE SEPTEMBER FACE by Kylie Trounson | | |
| THE MAPMAKER'S BROTHER by Alana Valentine | | |
| THE MARK OF CAIN by Leigh Swinbourne | | |
| MARKET OF LIVES by Duong Le Quy | | |
| MARY MCKILLOP - SAINT OR SINNER by Meg Roberts | | |
| MATES by Peter Kenna | | |
| THE MATILDA WOMEN by Sue Rider | | |
| MAVIS GOES TO TIMOR by Katherine Thomson | | |
| THE MAYNE INHERITANCE by Errol O'Neill | | |
| ME COWBOY YOU INDIAN by Simon Froehling | | |
| MEAT PARTY by Duong Le Quy | | |
| MELBOURNE STORIES: THREE PLAYS by Andrew Bovell et al. | | |
| MEMMIE LE BLANC by Hilary Bell | | |
| THE MEN by Chris Dickins | | |
| MEN OF HONOUR by John Upton | | |
| MENACE by Julia Osborne | | |
| MERCY THIEVES by Mark Kilmurry | | |
| MILO by Ned Manning | | |
| MILO / KINGAROY by Ned Manning / Martin Buzzacott | | |
| MINEFIELDS AND MINISKIRTS: AUSTRALIAN WOMEN AND THE VIETNAM WAR by Terence O’Connell | | |
| THE MODERN INTERNATIONAL DEAD by Damien Millar | | |
| THE MODEST AUSSIE COZZIE by Alana Valentine | | |
| A MOMENT'S HESITATION AS SHE CHANGES THE EXPRESSION ON HER FACE by Jeffrey Fereday | | |
| MONGRELS by Nick Enright | | |
| MORNING SACRIFICE by Dymphna Cusack | | |
| MORRIS GLEITZMAN'S WORRY WARTS by Eva Di Cesare, Sandra Eldridge and Tim McGarry | | |
| MR BAILEY'S MINDER by Debra Oswald | | |
| MRS PORTER AND THE ANGEL by Dorothy Hewett | | |
| MRS THALLY F by John Romeril | | |
| MS SERENA SERENATA (PART 1 OF WAR TRILOGY) by Merlinda Bobis | | |
| THE MULTI-COLOURED UMBRELLA by Barbara Vernon | | |
| MULTIPLE CHOICE by Alana Valentine | | |
| MURRAS by Eva Johnson | | |
| MY FATHER’S FATHER by Janis Balodis | | |
| MYTH, PROPAGANDA AND DISASTER IN NAZI GERMANY AND CONTEMPORARY AMERICA by Stephen Sewell | | |
| THE NARGUN AND THE STARS by Verity Laughton | | |
| NATURAL LIFE by Humphrey Bower | | |
| NAVIGATING by Katherine Thomson | | |
| NAVIGATING FLINDERS by Don Reid | | |
| NEIGHBOURHOOD WATCH by Lally Katz | | |
| NETHERWOOD by Patrick White | | |
| THE NEVER DAYS by Amanda Price | | |
| NEWSROOM by Frank Wilkie | | |
| NIGHT BREAKFAST by Merrilee Moss | | |
| NIGHT LETTERS by Susan Rogers & Chris Drummond | | |
| NIGHT ON BALD MOUNTAIN by Patrick White | | |
| NIGHTFALL by Joanna Murray-Smith | | |
| THE NIGHTWATCHMAN by Daniel Keene | | |
| NIJINSKY AT TWILIGHT by Errol Bray | | |
| NINETY by Joanna Murray-Smith | | |
| NO FAMILY by Miles Franklin | | |
| NO GOING BACK by Janis Balodis | | |
| NO SUGAR by Jack Davis | | |
| NO TIME ON by Graeme Forsyth | | |
| NO TIME TO PLAY by Belinda Bradley | | |
| NO WORRIES by David Holman | | |
| NO WORRIES: THREE PLAYS FOR CHILDREN by David Holman | | |
| NOWHERE by Dorothy Hewett | | |
| OCTOBER by Ian Wilding | | |
| ON THE WALLABY by Nick Enright | | |
| ON TOP OF THE WORLD by Michael Gow | | |
| ONLY THE END / SHAKESPEARE AND THE DARK LADY OF SONNETS by Robyn Bishop / Enzo Condello | | |
| OODGEROO - BLOODLINE TO COUNTRY by Sam Watson | | |
| OPERATOR by David Williamson | | |
| ORDINARY MISERY by Irene Korsten | | |
| OTHER TIMES by Ray Lawler | | |
| THE OTHER WOMAN by Belinda Bradley | | |
| PACIFIC UNION by Alex Buzo | | |
| PALACE REVOLUTION by Jodi Gallagher | | |
| PARRAMATTA GIRLS by Alana Valentine | | |
| THE PEACH SEASON by Debra Oswald | | |
| THE PERFECTIONIST by David Williamson | | |
| PERFORMING SEALS by Barbara Pepworth | | |
| PERFORMING THE UNNAMEABLE by Richard Allen & Karen Pearlman | | |
| A PERVERSE JURY by Simon Luckhurst | | |
| PIANO IN THE GARDEN by David Reiter | | |
| THE PICCADILLY BUSHMAN by Ray Lawler | | |
| PLAYS OF THE 50S VOLUME 1 by Katharine Brisbane (ed) | | |
| PLAYS OF THE 50S: VOLUME 2 by Katharine Brisbane (ed) | | |
| PLAYS OF THE 60S: VOLUME 1 by Katharine Brisbane (ed) | | |
| PLAYS OF THE 60S: VOLUME 3 by Katharine Brisbane (ed) | | |
| PLAYS OF THE 70S: VOLUME 1 by Katharine Brisbane (ed) | | |
| PLAYS OF THE 70S: VOLUME 2 by Katharine Brisbane (ed) | | |
| PLAYS OF THE 70S: VOLUME 3 by Katharine Brisbane (ed) | | |
| POLLY BLUE by Belinda Bradley | | |
| POOR BOY by Matt Cameron and Tim Finn | | |
| PORTRAITS OF MODERN EVIL by Robert Reid | | |
| PRAYER TO AN IRON GOD by Caroline Reid | | |
| THE PRECIOUS WOMAN by Louis Nowra | | |
| PRECIPICE by Catherine Ryan | | |
| PRESENCE by Patrick van der Werf | | |
| PRIVATE YUK OBJECTS by Alan Hopgood | | |
| PROMENADE (PART 3 OF WAR TRILOGY) by Merlinda Bobis | | |
| PROMISE by Emilie Collyer | | |
| THE PROMISED WOMAN by Theodore Patrikareas | | |
| A PROPERTY OF THE CLAN by Nick Enright | | |
| PUTTING BACK THE FEST by Michael Jeffery | | |
| QUACK by Ian Wilding | | |
| QUEER FRUIT by Sara Hardy | | |
| RADIANCE (PLAY AND SCREENPLAY) by Louis Nowra | | |
| RADIO DAZE by Steven Gration | | |
| RAIN by Jessica Messenger | | |
| RAINBOW'S END by Jane Harrison | | |
| RAPTURE by Joanna Murray-Smith | | |
| RATTICUS & REIDAR by Alana Valentine | | |
| REALISM by Paul Galloway | | |
| REBEL TOUR by Stephen Vagg | | |
| RED SKY MORNING by Tom Holloway | | |
| A REFINED LOOK AT EXISTENCE by Rodney Milgate | | |
| REFRACTIONS by Damon Lockwood | | |
| REFUGE by PP Cranney et al | | |
| REMEMBER by Jenny Kemp | | |
| THE REMOVALISTS by David Williamson | | |
| THE REQUEST OF SPRING by Duong Le Quy | | |
| THE RETURN by Reg Cribb | | |
| REVOLUTION by Jonathan Ari Lander | | |
| RIFLEMIND by Andrew Upton | | |
| THE RIPPLE EFFECT by Gillian Berry | | |
| THE RIVERS OF CHINA by Alma De Groen | | |
| THE ROAD TO THE SHE-DEVIL’S SALON by Sven Swenson | | |
| ROBBERY UNDER ARMS by Alfred Dampier | | |
| ROCKABYE by Joanna Murray-Smith | | |
| ROSSETTI by Patricia Best | | |
| ROULETTE: 12 DIALOGUES by Raimondo Cortese | | |
| ROYAL AFFAIR by Michael Costello | | |
| RUBY MOON by Matt Cameron | | |
| RUN RABBIT RUN by Alana Valentine | | |
| RUNNING UP A DRESS by Suzanne Spunner | | |
| SALT by Peta Murray | | |
| SALT CREEK MURDERS by Melissa Reeves | | |
| THE SALT MAIDEN - RADIO by Donna Cameron | | |
| THE SALT MAIDEN - STAGE by Donna Cameron | | |
| SANCTUARY by David Williamson | | |
| SAPPHO... IN 9 FRAGMENTS by Jane Montgomery Griffiths | | |
| SATURN'S RETURN by Tommy Murphy | | |
| SAVAGE GRACE by Alana Valentine | | |
| SAVAGE RIVER by Steve Rodgers | | |
| SAVE FOR CRYING by Angus Cerini | | |
| THE SCHELLING POINT by Ron Elisha | | |
| THE SEASON AT SARSAPARILLA by Patrick White | | |
| SEE THE CROCODILE by Edythe Brook Cooper | | |
| THE SEED by Kate Mulvany | | |
| THE SERPENT'S TEETH by Daniel Keene | | |
| THE SERVANT OF TWO MASTERS by Carlo Goldoni adapted by Nick Enright & Ron Blair | | |
| THE SEX ACT by Alana Valentine | | |
| SEX DIARY OF AN INFIDEL by Michael Gurr | | |
| SHADY CHARACTERS by Chris Thompson | | |
| SHAFANA AND AUNT SARRINAH by Alana Valentine | | |
| SHEPHERD ON THE ROCKS by Patrick White | | |
| SHERLOCK HOLMES AND THE COMING OF THE FAIRIES by Ross Barrett | | |
| THE SHIPS PASS QUIETLY by John Aitken | | |
| SHIPWRECK by Douglas Stewart | | |
| THE SHOE-HORN SONATA by John Misto | | |
| SHORT CIRCUIT by Vanessa Bates et al | | |
| SHOTS by Carly Nugent | | |
| SHRIMP by Dominic Hong Duc Golding | | |
| THE SICK ROOM by Stephen Sewell | | |
| SIGNAL DRIVER by Patrick White | | |
| SILENCE by Hoa Pham | | |
| SILENT DISCO by Lachlan Philpott | | |
| THE SIMPLE TRUTH by Michael Gurr | | |
| SINGING THE LONELY HEART / OZONE by Alana Valentine | | |
| SIR by Luke Icarus Simon | | |
| SIREN by David Williamson | | |
| SKATE by Debra Oswald | | |
| SKY WITHOUT BIRDS by Oriel Gray | | |
| THE SLAUGHTER OF ST TERESA'S DAY by Peter Kenna | | |
| SLUT by Patricia Cornelius | | |
| THE SMALL POPPIES by David Holman | | |
| SNAGGED by Robert Kronk | | |
| SOLD by Suzie Miller | | |
| SOMETHING LIKE LOST, SOMETHING LIKE FOUND by David Brown | | |
| SONG OF THE SEALS by Dorothy Hewett | | |
| SONGKET by Noëlle Janaczewska | | |
| SONGKET / THIS TERRITORY by Noëlle Janaczewska | | |
| SONGS FOR NOBODIES by Joanna Murray-Smith | | |
| SONS OF CAIN by David Williamson | | |
| SOULMATES by David Williamson | | |
| SPEAKING IN TONGUES by Andrew Bovell | | |
| SPILLING BODIES by Margaret Davis | | |
| THE SPOOK by Melissa Reeves | | |
| SPURBOARD by Nick Enright | | |
| ST JAMES INFIRMARY by Nick Enright | | |
| ST KILDA TALES by Raimondo Cortese | | |
| STAR STRUCK SLUT FROM PARADISE (FUFU FAIRY DREAMING) by Barbara Karpinski | | |
| STARKERS by Julia Jarel | | |
| STATE OF SHOCK by Tony Strachan | | |
| THE STATIONARY TRAVELLER by Barry Kay | | |
| STILL ANGELA by Jenny Kemp | | |
| THE STONES by Tom Lycos and Stefo Nantsou | | |
| STORIES FROM SUBURBAN ROAD by Alan Becher, TAG (Tom) Hungerford | | |
| STORIES IN THE DARK by Debra Oswald | | |
| THE STORY OF THE MIRACLES AT COOKIE'S TABLE by Wesley Enoch | | |
| STRANGE ATTRACTOR by Sue Smith | | |
| STRANGERS IN BETWEEN by Tommy Murphy | | |
| STRANGERS IN BETWEEN / HOLDING THE MAN by Tommy Murphy | | |
| STRANGERS IN THE NIGHT by Abe Pogos | | |
| A STRETCH OF THE IMAGINATION by Jack Hibberd | | |
| SUMMER OF THE SEVENTEENTH DOLL by Ray Lawler | | |
| SUSANNAH'S DREAMING by Dorothy Hewett | | |
| THE SWEET SCIENCE OF BRUISING by Elise Greig | | |
| SWEET STACCATO RISING by Robert Reid | | |
| THE SWIMMING CLUB by Hannie Rayson | | |
| TABULA RASA! by Alison Mann | | |
| TALES OF GALILEO: OBSERVATION, REVOLUTION & A LEAP OF FAITH by Alana Valentine | | |
| A TASTE OF SHAKESPEARE by Michael Gillett (Estate) | | |
| TEAR FROM A GLASS EYE by Matt Cameron | | |
| TENDER by Nicki Bloom | | |
| TERMINUS AND OTHER PLAYS by Daniel Keene | | |
| THESE PEOPLE by Ben Ellis | | |
| THICKER THAN WATER by Chris Thompson | | |
| THIRD WORLD BLUES by David Williamson | | |
| THIS HOSPITAL IS MY COUNTRY by Katherine Thomson | | |
| THIS OLD MAN COMES ROLLING HOME by Dorothy Hewett | | |
| THIS SPACE IS MINE by Irene Coates | | |
| THIS TERRITORY by Noëlle Janaczewska | | |
| THIS UNCHARTED HOUR by Finegan Kruckemeyer | | |
| THIS YEAR'S ASHES by Jane Bodie | | |
| THREE OAKS by Monica Raszewski | | |
| THREE PLAYS - THE EISTEDDFOD, THE BLACK SWAN OF TRESPASS, SMASHED by Lally Katz | | |
| THREE SHORT PLAYS ABOUT THE SAME TWO PEOPLE by Van Badham | | |
| THURSDAY'S CHILD by Eva Di Cesare et al | | |
| THYESTES (AFTER SENECA) by Th. Henning, Chris Ryan, Simon Stone & Mark Winter | | |
| TILT by Catherine McKinnon | | |
| TOBY by Abe Pogos | | |
| TOLPUDDLE JACK'S LAST LAUGH by Doug Buckley | | |
| TONIGHT WE ANCHOR IN TWOFOLD BAY by Katherine Thomson | | |
| TOO YOUNG FOR GHOSTS by Janis Balodis | | |
| TOP SILK by David Williamson | | |
| THE TOUCH OF SILK by Betty Roland | | |
| TOUGH GIRLS by Melissa Reeves | | |
| TOY SYMPHONY by Michael Gow | | |
| TRAITORS by Stephen Sewell | | |
| TREMENDOUS WORLDS by Susan Pfisterer (ed) | | |
| TWENTY THREE BLOOMS ON MY GREAT-GRANDMOTHER'S ROSEBUSH by Paula Iland | | |
| TWO by Ron Elisha | | |
| TWO BROTHERS by Hannie Rayson | | |
| UN-BEAT-ABLE by Angela Costi | | |
| UNAUSTRALIA by Reg Cribb | | |
| UNDERWEAR, PERFUME AND CRASH HELMET by Michael Gurr | | |
| UNSPOKEN by Rebecca Clarke | | |
| UNTITLED MONOLOGUE by Daniel Keene | | |
| UP THE LADDER by Roger Bennett | | |
| UP THE ROAD by John Harding | | |
| URBAN DINGOES by Norman Price | | |
| US OR THEM by Ned Manning | | |
| UTZON by George Bavinton | | |
| VENETIAN TWINS by Nick Enright & Terence Clarke | | |
| VERTIGO AND THE VIRGINIA by Sven Swenson | | |
| VICTORY GIRLS by Jodi Gallagher | | |
| VISIONS by Louis Nowra | | |
| WAITING FOR MARLENE by Jean Holkner | | |
| WALKING BY APPLE TREE CREEK by Ian Brown | | |
| WALTZING THE WILARRA by David Milroy | | |
| WAR CRIMES by Angela Betzien | | |
| WATER FALLING DOWN by Mark Swivel | | |
| WATERMARK by Alana Valentine | | |
| WE HAVE WHAT YOU WANT by Deborah Sheldon | | |
| THE WEB by Kate Mulvany | | |
| WELCOME by Peter Robinson | | |
| WELCOME TO MY PLANET by Patricia Harris | | |
| WHARF AT WOOLLOOMOOLOO by Catherine Zimdahl | | |
| WHAT ARE THE ODDS? by Angela Murphy | | |
| WHAT I WROTE- ANDREW BOVELL by Andrew Bovell | | |
| WHEN THE RAIN STOPS FALLING by Andrew Bovell | | |
| WHEN THEY SEND ME THREE AND FOURPENCE by Steve J. Spears | | |
| WHISPERING DEMONS by Heather Nimmo | | |
| WHITE COLLECTED PLAYS VOLUME 1 by Patrick White | | |
| WHITE COLLECTED PLAYS VOLUME 2 by Patrick White | | |
| THE WHITE EARTH by Andrew McGahan & Shaun Charles | | |
| WHO’S AFRAID OF THE WORKING CLASS? by Andrew Bovell, Patricia Cornelius, Melissa Reeves, Christos Tsiolkas and Irine Vela | | |
| WICKED SISTERS by Alma De Groen | | |
| WILD RICE by Huong Nguyen, Phi Hai, Pat Rix & Geoff Crowhurst | | |
| WILDCAT FALLING by Alan Becher, Mudrooroo Nyoongah | | |
| WINDOW WITHOUT A VIEW by Michael Cummins | | |
| THE WISHING WELL by Michael Futcher & Helen Howard | | |
| WOLF LULLABY by Hilary Bell | | |
| THE WOMAN IN THE WINDOW by Alma De Groen | | |
| THE WOMEN OF MARCH THE FIRST by Lissa Benyon | | |
| WOMEN OF TROY by Ned Manning | | |
| WONDERLANDS by Katherine Thomson | | |
| WRETCH by Angus Cerini | | |
| X-STACY by Margery Forde | | |
| YANAGAI! YANAGAI! by Andrea James | | |
| YOUTH by Leigh Swinbourne | | |
| THE YUM YUM ROOM by Stephen House | | |
| ZEAL THEATRE COLLECTION by Tom Lycos and Stefo Nantsou | | |
