| | | |
| 25 DOWN by Richard Jordan | | |
| 48 SHADES OF BROWN by Philip Dean | | |
| ABACUS by Brett Heath | | |
| THE ABSOLUTELY AWESOME GIANT by Bruce Shearer | | |
| AFTER JANUARY by Philip Dean | | |
| AFTER YOU'VE GONE by Sue Ingleton | | |
| ALADDIN by Les Winspear | | |
| ALAS, POOR BILL by Bill Fleming | | |
| ALBERT NAMES EDWARD by Louis Nowra | | |
| ALIAS by Roslyn Taylor | | |
| ALICE IN WONDERLAND by Les Winspear | | |
| ALICE OF HEARTS by Bruce Hoogendoorn | | |
| ALL MY FRIENDS ARE LEAVING BRISBANE by Stephen Vagg | | |
| AMIGOS by David Williamson | | |
| AN AGENT OF CHANGE by John Bishop | | |
| ARGONAUTA by Emilie Collyer | | |
| ARTISTIC TRUTH by Michael Jeffery | | |
| ASCOT EVE by Allen Lyne | | |
| B.O.R.E.D. by Sarah Brill | | |
| BABY BOOM by Stephen Drape | | |
| BABY BOOMER BLUES by Alan Becher | | |
| BACK POCKET by Michael Jeffery | | |
| BACKPACKER! by Christopher Johnson | | |
| BANG ON THE NERVE by Van Badham | | |
| BANTAM, A REAL BOOK BY MICK BROWN & TERRY WHITEBEACH by Terry Whitebeach | | |
| BARBECUE by Daryl Peebles | | |
| BARNESY, THE HARBOUR AND YOU by Christopher Johnson | | |
| BED by Brendan Cowell | | |
| BEHIND THE PLAY by Marita Wilcox | | |
| BETWEEN THESE LINES by Michael Butler | | |
| BIG SKY TOWN by Amelia Roper | | |
| BLACK SEQUINED BUSTIER by Anita Beckman | | |
| THE BLONDE, THE BRUNETTE AND THE VENGEFUL REDHEAD by Robert Hewett | | |
| BLOOD AND BONE - MENOPAUSE, THE TIME OF YOUR LIFE by Pauline Hosking | | |
| THE BOATHOUSE by Angela Murphy | | |
| THE BODY OPHELIA by Catherine Fargher | | |
| BOMBSHELLS by Joanna Murray-Smith | | |
| THE BOTTOM LINE by Linda Stainton | | |
| BOY'S OWN MCBETH by Grahame Bond, Jim Burnett | | |
| BOZ & CO. by Stella Kent | | |
| THE BREAST PROJECT by Susanne Gannon | | |
| THE BRIDGE IS DOWN by Ned Manning | | |
| BRING ON THE TALENT by R. Johns | | |
| BUMMING WITH JANE by Tahli Corin | | |
| BUMPY ANGELS by Sue Rider | | |
| BURNT PIANO by Justin Fleming | | |
| BUSTOWN by Lachlan Philpott | | |
| BUTTERFLY DANDY by Alana Valentine | | |
| THE CALL by Patricia Cornelius | | |
| CANCELLED BY POPULAR DEMAND by Jeff Blake | | |
| THE CANTERBURY TALES by Michael Edgar | | |
| CARAVAN by Kate Rice | | |
| CARBON DATING by Ron Elisha | | |
| CAROLS BY LASERLIGHT by Bill Harding | | |
| THE CASE by Frank Gauntlett | | |
| CASTING DOUBTS by Maryanne Sam | | |
| CATCH THE TAIL by Kate Rice | | |
| CAUGHT IN THE ACT by Nick Hughes | | |
| CENTRE CAUGHT by Peter Fyfe | | |
| CHAOS AT COOEE CREEK by Les Winspear | | |
| CHARACTER ANALYSIS by Chris Howlett | | |
| CHARITABLE INTENT by David Williamson | | |
| CHARLIE'S SHOP by Mark Sundancer | | |
| CHARM by Michael Butler | | |
| CHRISTMAS DAY by Claire Haywood | | |
| CINDERELLA by Tony Nicholls | | |
| CLASSIC CLAUSTROPHOBIA by Jenny Rixon | | |
| CLOSE ENCOUNTERS IN THE LEANING TOWER by Edwina Toohey | | |
| THE CLOWN FROM SNOWY RIVER by Bridget Boyle and Liz Skitch | | |
| THE CLUB by David Williamson | | |
| COCKATOO HALL by Nick Hughes | | |
| CODE NAME: ANGEL STAR by Donna Cameron | | |
| COLLECTED SHORT PLAYS by Alex Broun | | |
| COLONIAL EXPERIENCE by Walter Cooper | | |
| CONCUSSION by Ross Mueller | | |
| CONNIE AND KEVIN AND THE SECRET LIFE OF GROCERIES by Noelle Janaczewska | | |
| CONTROLLED CRYING by Ron Elisha | | |
| CONVERSATION WITH A GEISHA by Bill Pearson | | |
| THE COPY ROOM by Jenny Rixon | | |
| COSI by Louis Nowra | | |
| COUNTING OFF THE DAYS by Graeme Forsyth | | |
| THE COUPLES by Alison J Cooper (Beaty) | | |
| CRECHE AND BURN by Elise Greig | | |
| CRYSTAL NIGHT by Jeremy Johnson | | |
| CUCKOO by Simon Payne | | |
| DAGS by Debra Oswald | | |
| A DANCING NYMPH, A CHATTERING CHIMP by Robert Jenkins | | |
| DAYLIGHT SAVING by Nick Enright | | |
| DEAD MEN'S TROUSERS by Alison Lyssa | | |
| DEAD WHITE MALES by David Williamson | | |
| DEATH OF A FISH FINGER by Rhys Martin | | |
| DECOUPAGE SKIN by Michael Griffith | | |
| DESIREE DIN AND THE RED FOREST by Maxine Mellor | | |
| DIFFICULT TO GROW by Sofie Laguna | | |
| DIMBOOLA by Jack Hibberd | | |
| DINKUM ASSORTED by Linda Aronson | | |
| DIRTY CAFF by Stephen Vagg | | |
| DIRTY WOMEN by Elizabeth Bennett | | |
| DIVINELY IRRESISTIBLE by Paula Iland | | |
| DOG by Raymond Southall | | |
| DOLE DIARY by Van Badham | | |
| DON'S PARTY by David Williamson | | |
| DON'T BOTHER ME NOW, I'M DYING by Judy Bierwirth | | |
| DOWNSTAIRS AT GOSFORD PARK by Gary Abrahams | | |
| DREAM UP by Barry Kay | | |
| DREAMS by Barry Kay | | |
| DRIVING FORCE by Paul Spinks | | |
| DROUGHT BREAKER by Linda Stainton | | |
| EAGER TO BREATHE by Fiona Sprott | | |
| EMERALD CITY by David Williamson | | |
| THE EMOTIONAL ANATOMY OF A RELATIONSHIP BREAKDOWN by Suzie Miller | | |
| THE ENTREPRENEURS by Pauline Hosking | | |
| ERROL FLYNN'S GREAT BIG ADVENTURE BOOK FOR BOYS by Rob George | | |
| ESCAPE (FROM A BETTER PLACE) by Jan Cornall | | |
| THE EXPLODING BREAKFAST by Ingle Knight | | |
| FACE TO FACE by David Williamson | | |
| FAIR COPY by Stella Kent | | |
| FALLING FROM GRACE by Hannie Rayson | | |
| FASHION TIPS FOR THE YOUNG AND BEAUTIFUL by Sarah Brill | | |
| FAT CHICK by Liza Dezfouli | | |
| FEAST by Tobsha Learner | | |
| THE FEMALE OF THE SPECIES by Joanna Murray-Smith | | |
| FEVER by Christos Tsiolkas, Melissa Reeves, Patricia Cornelius, Andrew Bovell | | |
| FIDELITY by Tobsha Learner | | |
| THE FINAL BELL by Alexandra Lee | | |
| THE FIRST SUNDAY IN DECEMBER by Eric Scott | | |
| FISHBEIN VS LEIBOWITZ - A JEWISH COMEDY by Darrelyn Gunzburg | | |
| THE FIVE BROTHERS by Cas Anderson | | |
| FLATFOOT: A ROMAN COMEDY OF BAD MANNERS by David Williamson | | |
| FLORA AND FAUNA by Emily Gregory-Roberts | | |
| THE FORWARDS AND THE APOLOGY by Stefo Nantsou | | |
| FREUD NOTICES HIS FLY IS UNDONE! by Norm Munro | | |
| FRIDAY NIGHT DRINKS by Stephen Vagg | | |
| FULLY INSTALLED by Julia Jarel | | |
| THE GALLERY by Judy Bierwirth | | |
| GAMES by Tony Brooks | | |
| THE GARDEN OF GRANDDAUGHTERS by Stephen Sewell | | |
| THE GAY DIVORCEE by Margaret Fischer | | |
| GENERATION B by Gail Evans | | |
| GENTLEMEN INCORPORATED by Deborah Mulhall | | |
| THE GIRL WHO FORGOT TO SING BADLY by Finegan Kruckemeyer | | |
| GLADBAGS by Patricia Johnson | | |
| GLUTTON FOR PUNISHMENT by Scott McAteer | | |
| GODS OF SPICY THINGS by Sue Hayes | | |
| GOING HOME by Alma De Groen | | |
| GOOD GRIEF by Frank Wilkie | | |
| GULLS by Robert Hewett | | |
| THE GULLY by David Mence | | |
| HABIBTI by Matt Edgerton | | |
| A HANDFUL OF FRIENDS by David Williamson | | |
| HAVANA, HARLEM by Diana Plater | | |
| HELL'S BELLES by Deborah Mulhall | | |
| HELLY'S MAGIC CUP by Rosalba Clemente | | |
| HIDDEN DRAGONS by Shirley Van Sanden | | |
| HIDDEN MESSAGES by Damon Lockwood | | |
| HOLIDAY by Raimondo Cortese | | |
| HOLIDAY IN ELSINORE by Jack Opie | | |
| HOTEL OBSINO by Adam Broinowski | | |
| THE HYPOCRITE by Justin Fleming | | |
| I WILL KISS YOU IN FOUR PLACES by Linda Hassall, Helen Howard, Stephen Carleton, Daniel Evans | | |
| I WOULD DIE 4 U by Glen Dolman | | |
| I'LL SHOW YOU YOURS by Finegan Kruckemeyer | | |
| IN CAHOOTS by Melissa Reeves | | |
| IN CONTROL by Barry Kay | | |
| INFLUENCE by David Williamson | | |
| INNER VOICES by Louis Nowra | | |
| THE INVITED AUDIENCE by Tigger Wise | | |
| IS THIS HEAVEN? by Nika Soymonoff | | |
| ISLAND OF SECRETS by Tony Nicholls | | |
| IT JUST STOPPED / MYTH, PROPAGANDA AND DISASTER IN NAZI GERMANY AND CONTEMPORARY AMERICA by Stephen Sewell | | |
| IT'S A DAD THING by The Dads Theatre Group | | |
| IT’S MY PARTY (AND I’LL DIE IF I WANT TO) by Elizabeth Coleman | | |
| ITHACA ROAD by Robert Kronk | | |
| IVY SHAMBITT AND THE SOUND MACHINE by Daniel Evans | | |
| JACK AND THE BURROW BEANS by Chris Thompson | | |
| THE JOSS ADAMS SHOW by Alma De Groen | | |
| JOY by Scott McAteer | | |
| JUMPING THROUGH HOOPS by Georgina Luck | | |
| KENNY'S COMING HOME by Ned Manning | | |
| THE KID 'A' PROJECT: A MODERN CHRISTMAS TALE by Scott Hatcher | | |
| THE KILLING OF SARA LEE by Rhondda Johnson | | |
| KING HIT by David Milroy & Geoffrey Narkle | | |
| A KISS IN TIME by Patrick Carr | | |
| LAST CAB TO DARWIN by Reg Cribb | | |
| THE LAW OF LARGE NUMBERS by Peta Murray | | |
| LIFE GOES ON by Peggy Caine | | |
| LILIES OF THE PADDOCK by Andrea Lemon | | |
| THE LIZARD OF OZ by Les Winspear | | |
| LOCAL HERO by Nicky Marr | | |
| LOCKIE LEONARD HUMAN TORPEDO by Paige Gibbs | | |
| THE LOOK by Alexa Wyatt | | |
| LOOK WHAT THEY'VE DONE TO MY BAY by N. A. Harman | | |
| LOVE BYTES by Jennie Bazell | | |
| LOVE SONG DEDICATIONS by Stephen Vagg | | |
| LOVE'S TRIUMPH by Terence Crawford | | |
| LOVELINES by Philip Witts | | |
| LYREBIRD (TALES OF HELPMANN) by Tyler Coppin | | |
| MACBETH RE-ARISEN by David Mence | | |
| MAKASSAR REEF by Alex Buzo | | |
| THE MAKING OF ELIZABETH by Deborah Mulhall | | |
| THE MALEVOLENCE by Adriano Cugola | | |
| THE MAN FROM MUKINUPIN by Dorothy Hewett | | |
| THE MAPMAKER'S BROTHER by Alana Valentine | | |
| THE MARIGOLD HOUR by Catherine Fargher | | |
| MARK TWAIN DOWN UNDER by Stephen Measday | | |
| MATERIAL GIRLS by Van Badham | | |
| THE MATILDA WOMEN by Sue Rider | | |
| MEAT by Nick Meenahan | | |
| MEET THE CANDIDATES by Tim Bosanquet | | |
| THE MEETING by Robert Galley | | |
| MERCY THIEVES by Mark Kilmurry | | |
| THE MESSENGER by Robert Jeffreys | | |
| THE MESSENGER by Ross Mueller | | |
| MILO by Ned Manning | | |
| MILO’S WAKE by Margery & Michael Forde | | |
| MISS BILBY AND THE MOSS-COVERED CLERIC by Linda Aronson | | |
| MISS BLOSSOM CALLAHANN by Stephen House | | |
| MISTER JONES by Jamie Forbes | | |
| MONEY AND FRIENDS by David Williamson | | |
| MONKEY BUSINESS by Bruce Keller | | |
| MONSTERS by Scott McAteer | | |
| MOON BRIDE MOURNING by Leigh Oswin | | |
| MORNING ON A RAINY DAY by Van Badham | | |
| MORRIS GLEITZMAN'S WORRY WARTS by Eva Di Cesare, Sandra Eldridge and Tim McGarry | | |
| MOSQUITO by John Pratt | | |
| MOSS LANE by Damon Lockwood | | |
| MR BAILEY'S MINDER by Debra Oswald | | |
| MRS PETROV'S SHOE by Noelle Janaczewska | | |
| THE MULE'S FOAL by Alan Becher (1947-2008), Fotini Epanomitis | | |
| MUM, WE LOVE YOU by Clem Gorman | | |
| MURPHY IS ALIVE AND WELL by Meg Roberts | | |
| MUTTABURRASAURUS by Damon Lockwood | | |
| THE NARCISSIST by Stephen Carleton | | |
| NATURE AS EXPLAINED BY THEATRE by Damon Lockwood | | |
| NERD FORMAL by Stephen Vagg | | |
| A NEW WIVES TALE by Bill Fleming | | |
| NEXT THURSDAY AT EIGHT by Eamonn Dee | | |
| THE NIGHT OF THE DING-DONG by Ralph Peterson | | |
| A NIGHT ON THE TILES by Suzanne Hawley | | |
| A NIGHT WITH ROBINSON CRUSOE by Linda Aronson | | |
| NOW, IN TERMS OF YOUR LIFE, IRENE by Marian Devitt | | |
| NUDE ALL-STARS ON THE MANGO PLANET OF LOVE by Simon Luckhurst | | |
| OFF THE RAILS by Gai Anderson | | |
| ONE DAY ALL THIS WILL BE YOURS by Peter McAra | | |
| ONE THUMB OUT by Tom Maclachlan | | |
| OPENING A FUZZWOLLOP’S FRAME OF MIND by Daniel Evans | | |
| OPERATOR by David Williamson | | |
| THE OTHER 'OTHER' TALE OF THE THREE LITTLE PIGS by Bren MacDibble | | |
| THE OTHER WOMAN by Heather Nimmo | | |
| OVER THE BACK FENCE by Peter McAra | | |
| PANDORA'S BOX by Sally Faraday | | |
| PARADISE by Shaun Charles | | |
| PARALLAX ISLAND by Maude Davey, David Pidd | | |
| PARTLY IT'S ABOUT LOVE, PARTLY IT'S ABOUT MASSACRE by Fiona Sprott | | |
| PEOPLE WATCHING by Lorin Clarke | | |
| THE PEOPLE WHO STAMP PAPERS ALL DAY by Chris Howlett | | |
| PERCIVAL P. PAPER AND THE RECYCLING RIOT by Bruce Shearer | | |
| PETROGRAD by Van Badham | | |
| PICK UPS by Alex Broun | | |
| THE PIG IRON PEOPLE by John Doyle | | |
| PIKERS by John McNeill | | |
| THE PLAINCLOTHES HAMLET by Stephen Measday | | |
| PLAYS OF THE 50S: VOLUME 2 by Katharine Brisbane (ed) | | |
| PLAYTHING by Simon Dodd | | |
| POOR BABY by Kylie Needham | | |
| POST FELICITY by Ben Ellis | | |
| PRECIOUS by Barry Kay | | |
| PRECIPICE by Tommy Murphy | | |
| PRI-MATES by Damon Lockwood | | |
| PRIDE AND PREJUDICE by Deborah Mulhall | | |
| THE PUNTER'S SIREN by Gina Schien | | |
| PUSSY BOY by Christine Evans | | |
| PUTTING BACK THE FEST by Michael Jeffery | | |
| RADIO DAZE by Steven Gration | | |
| RATSPUTIN MEETS HIS MATCH by Jennifer MacDonald | | |
| RATTICUS & REIDAR by Alana Valentine | | |
| REASONABLE DOUBT by Suzie Miller | | |
| RECONCILIATION by Daryl Peebles | | |
| A REFINED LOOK AT EXISTENCE by Rodney Milgate | | |
| THE REHABILITATION OF GOD by Victor Kline | | |
| RELATIVE COMFORT by Gina Schien | | |
| RELATIVE MERITS by Barry Lowe | | |
| THE RELUCTANT MESSIAH by Andrew Bell | | |
| RENAISSANCE by Ron Elisha | | |
| RICH AND CREAMY by Simon Hall | | |
| ROADWORK AHEAD by Joachim Matschoss | | |
| ROBIN HOOD AND HIS MERRY BAND by Les Winspear | | |
| ROCK CHICKS by Vee Malnar | | |
| ROCK, PAPER, SCISSORS by John Fraser | | |
| THE ROLE MODEL by Bruce Hoogendoorn | | |
| ROTTO BOYS by Les Pearce | | |
| ROYAL AFFAIR by Michael Costello | | |
| THE RUMOUR by Jane Malone | | |
| SALT CREEK MURDERS by Melissa Reeves | | |
| THE SAME PAIGE by Anna Bennetts | | |
| THE SCHELLING POINT by Ron Elisha | | |
| SEASON TO TASTE by Julie Janson | | |
| SECRET BRIDESMAIDS' BUSINESS by Elizabeth Coleman | | |
| THE SECRET OF THE SEVEN MARBLES by Nadine Helmi | | |
| SEEDS by Michelle Pettigrove | | |
| SEVEN ACTS OF LOVE (AS WITNESSED BY A CAT) by Tobsha Learner | | |
| SHADOWLAND by Heather Christie | | |
| SHERLOCK HOLMES AND THE COMING OF THE FAIRIES by Ross Barrett | | |
| SHIFT SWAPPING by David Ryding | | |
| THE SIMPLE TRUTH by Robert Jeffreys | | |
| SINBAD THE SAILOR by Les Winspear | | |
| SIR by Luke Icarus Simon | | |
| THE SLAUGHTER OF ST TERESA'S DAY by Peter Kenna | | |
| SLEEPING WITH JIMMY DEAN by Catherine Seeber | | |
| SLEEPWALKING by Leigh Swinbourne | | |
| SMELLS LIKE IMPULSE by Stephen Carleton | | |
| SMOKESCREENS by Dina Ross | | |
| SNAGGED by Robert Kronk | | |
| SOMETHING WICKED by Kate Rice | | |
| SOULMATES by David Williamson | | |
| THE SPAGHETTI WARS by Philip Deally | | |
| STILL WAITING by Alexandra Collier | | |
| THE SUBTLE ART OF FLIRTING by Wayne Tunks | | |
| SUMMER OF THE ALIENS by Louis Nowra | | |
| SURE FM by Michael Jeffery | | |
| SWEET PHOEBE by Michael Gow | | |
| SWISHSWOOSHTINKLE THE WINDY WIZARD by Bruce Shearer | | |
| TAKING LIBERTY by Ingle Knight | | |
| THE TATTY HOLLOW STORY by Dorothy Hewett | | |
| TEAR FROM A GLASS EYE by Matt Cameron | | |
| TEARS OF BLOOD by Allen Lyne | | |
| THANKS FOR THE MEMORIES by Mark Juddery | | |
| THERE GOES THE NEIGHBOURHOOD by Jennie Swain | | |
| THERE'S A WAR ON, YOU KNOW by Peter Flanigan | | |
| THERE'S MORE TO LIFE THAN MONEY AND SEX by John Marshall | | |
| THEY SOLD THEIR SOULS TO SANTA by Camille Scaysbrook | | |
| THICKER THAN WATER by Chris Thompson | | |
| THIS BITCH CALLED HOME by Catherine Cresswell | | |
| THE TIME IS NOT YET RIPE by Louis Esson | | |
| TO HAVE AND TO HOLD by Ross Lonnie | | |
| TOBY by Abe Pogos | | |
| TORREZ by Ian Wilding | | |
| A TOUCH OF THE AMBER LIQUID by Franz Docherty | | |
| TRANSACTIONS by Scott McAteer | | |
| TRANSPORTED by Judy Bierwirth | | |
| TRAVELLING NORTH by David Williamson | | |
| TREASURE ISLAND by Les Winspear | | |
| A TREE, FALLING by Ron Elisha | | |
| TRIVIA by Stephen Vagg | | |
| TROUBLE IN LOLLIPOP by Megan Rigoni | | |
| TROUBLE ON MERMAID ISLAND by Megan Rigoni | | |
| THE TUNNEL by Michael Booth | | |
| TURNSTILER by Simon Hall | | |
| UNCOMFORTABLE SILENCES by Andrew O'Keefe | | |
| UNDER MULGA WOOD by William Christie | | |
| UNDERWORLD by Lian Tanner | | |
| UNTO US A SON IS BORN by Tony Nicholls | | |
| UP AND AWAY by Daryl Peebles | | |
| UP FOR GRABS by David Williamson | | |
| US OR THEM by Ned Manning | | |
| VALENTINE'S DAY by Barry Creyton | | |
| VOCATIONS by Alma De Groen | | |
| WAITING ROOMS by Michael Costello | | |
| WAKING BLIND by Peter Fyfe | | |
| THE WASH HOUSE BLUES by Liliane Grace | | |
| WATER FALLING DOWN by Mark Swivel | | |
| WE MET AT THE DEMO by Van Badham | | |
| WEDDING BELLES by Bruce Shearer | | |
| WELCOME MATT by Angela Costi | | |
| THE WELL by Jack McKinney | | |
| WET AND DRY by Janis Balodis | | |
| WHAT ARE THE ODDS? by Angela Murphy | | |
| WHEN OUR TEACHER WAS A CREATURE by Bruce Shearer | | |
| WHEN THEY SEND ME THREE AND FOURPENCE by Steve J. Spears | | |
| WHITE WITH WIRE WHEELS by Jack Hibberd | | |
| WHO KNOWS by Paul McIntyre | | |
| THE WIDEAWAKES by Irene Coates | | |
| WILBERFORCE WILSON AND THE MAGIC FOUNTAIN by Bruce Shearer | | |
| WILD RICE by Huong Nguyen, Phi Hai, Pat Rix & Geoff Crowhurst | | |
| WILLIAMSON COLLECTED PLAYS VOLUME 2 by David Williamson | | |
| WINDMILL BABY by David Milroy | | |
| THE WOMAN WHO FELL UP by Maggie Power | | |
| WOODSHOCK 2569 by Jennifer O'Shea | | |
| WRITE-OFF by Greta Harrison | | |
| YOU STILL HERE? by Patricia Cornelius | | |
