Browse by title
| PACIFIC UNION by Alex Buzo | ||
| PALACE REVOLUTION by Jodi Gallagher | ||
| PANAYIOTA by Angela Costi | ||
| PANDORA'S BOX by Sally Faraday | ||
| PARADISE by Shaun Charles | ||
| PARALLAX ISLAND by Maude Davey, David Pidd | ||
| PARRAMATTA GIRLS by Alana Valentine | ||
| PARTLY IT'S ABOUT LOVE, PARTLY IT'S ABOUT MASSACRE by Fiona Sprott | ||
| PASSION by Tony Nicholls | ||
| THE PEACH SEASON by Debra Oswald | ||
| PENNIES BEFORE THE HOLIDAYS by Lissa Benyon | ||
| PEOPLE WATCHING by Lorin Clarke | ||
| THE PEOPLE WHO STAMP PAPERS ALL DAY by Chris Howlett | ||
| THE PEPPERCORN TREE by Alison Campbell Rate | ||
| PERCIVAL P. PAPER AND THE RECYCLING RIOT by Bruce Shearer | ||
| PERCY AND ROSE by Rob George | ||
| PERFECT SKIN by Janis Balodis | ||
| THE PERFECTIONIST by David Williamson | ||
| PERFORMING SEALS by Barbara Pepworth | ||
| PERFORMING THE UNNAMEABLE by Richard Allen & Karen Pearlman | ||
| PERSAE by Van Badham | ||
| A PERVERSE JURY by Simon Luckhurst | ||
| PETROGRAD by Van Badham | ||
| PIANO IN THE GARDEN by David Reiter | ||
| THE PICCADILLY BUSHMAN by Ray Lawler | ||
| PICK UPS by Alex Broun | ||
| THE PIG IRON PEOPLE by John Doyle | ||
| PIKERS by John McNeill | ||
| PINBALL by Alison Lyssa | ||
| THE PIPE MANAGER by Lisa O'Neill, Christian Ronquillo and Peter Berkahn | ||
| THE PLAINCLOTHES HAMLET by Stephen Measday | ||
| PLATFORM by Patricia Cornelius | ||
| PLAYS OF THE 50S VOLUME 1 by Katharine Brisbane (ed) | ||
| PLAYS OF THE 50S: VOLUME 2 by Katharine Brisbane (ed) | ||
| PLAYS OF THE 60S: VOLUME 1 by Katharine Brisbane (ed) | ||
| PLAYS OF THE 60S: VOLUME 2 by Katharine Brisbane (ed) | ||
| PLAYS OF THE 60S: VOLUME 3 by Katharine Brisbane (ed) | ||
| PLAYS OF THE 70S: VOLUME 1 by Katharine Brisbane (ed) | ||
| PLAYS OF THE 70S: VOLUME 2 by Katharine Brisbane (ed) | ||
| PLAYS OF THE 70S: VOLUME 3 by Katharine Brisbane (ed) | ||
| PLAYTHING by Simon Dodd | ||
| POLLY BLUE by Belinda Bradley | ||
| POOR BABY by Kylie Needham | ||
| POOR BOY by Matt Cameron and Tim Finn | ||
| POPE JOAN by Shaun Rigney | ||
| PORKY PIES by Alex Lee, Veronica Milsom | ||
| PORT ARTHUR by Julian Halls | ||
| PORTRAITS OF MODERN EVIL by Robert Reid | ||
| PRAYER TO AN IRON GOD by Caroline Reid | ||
| PRECIOUS by Barry Kay | ||
| THE PRECIOUS WOMAN by Louis Nowra | ||
| PRECIPICE by Catherine Ryan | ||
| PRECIPICE by Tommy Murphy | ||
| PRESENCE by Patrick van der Werf | ||
| PRETTY FLY (FOR A MALA GUY) by Stephen Carleton | ||
| PRI-MATES by Damon Lockwood | ||
| PRICE OF PEACE by George Bavinton | ||
| PRIDE AND PREJUDICE by Deborah Mulhall | ||
| THE PRIVATE VISIONS OF GOTTFRIED KELLNER by Timothy Daly | ||
| PRIVATE YUK OBJECTS by Alan Hopgood | ||
| THE PROCEDURE by Peta Murray | ||
| PROMENADE (PART 3 OF WAR TRILOGY) by Merlinda Bobis | ||
| PROMISE by Emilie Collyer | ||
| THE PROMISE by Jadah Milroy | ||
| THE PROMISED WOMAN by Theodore Patrikareas | ||
| THE PROSPECTORS by Alana Valentine | ||
| PULPIT ROCK by Gina Schien | ||
| PUNCH AND JUDY by Frank Gauntlett | ||
| PUNCH! by Geire Kami | ||
| THE PUNTER'S SIREN by Gina Schien | ||
| PUSS IN BOOTS by Marilyn Campbell | ||
| PUSSY BOY by Christine Evans | ||
| PUTTING BACK THE FEST by Michael Jeffery |