AWGIE Stage Award
The AWGIE Awards are the Australian Writers Guild annual awards for excellence in screen, television, stage and radio writing.
Presented annually since 1967, the AWGIES are unique in the industry in that they are the only writers awards judged solely by writers, and the judging is based on the written script - the intention of the writer rather than the finished product. In order to be eligible scripts must have been produced in the calendar year prior to the year of the AWGIE presentation.
For more information visit awg.com.au
Past winners
2016 The Bleeding Tree by Angus Cerini
2012 Silent Disco by Lachlan Philpott
2009 When the Rain Stops Falling by Andrew Bovell
2008 Beyond the Neck by Tom Holloway
2007 Holding the Man by Tommy Murphy
2005 The Spook by Melissa Reeves
2004 Myth, Propaganda and Disaster in Nazi Germany and Contemporary America by Stephen Sewell
2003 Mavis Goes to Timor by Katherine Thomson
2002 Holy Day by Andrew Bovell
2001 Life After George by Hannie Rayson
2000 THE PRIVATE VISIONS OF GOTTFRIED KELLNER by Timothy Daly
1999 Cloudstreet by Nick Enright, Justin Monjo
1999 Who’s Afraid of the Working Class? by Andrew Bovell, Irine Vela, Christos Tsiolkas, Patricia Cornelius, Melissa Reeves
1998 Rodeo Noir by Andrea Lemon
1997 Speaking in Tongues by Andrew Bovell
1996 Blackrock by Nick Enright
1992 Barmaids by Katherine Thomson
1992 The Boys by Gordon Graham
1990 Hotel Sorrento by Hannie Rayson
1990 Daylight Saving by Nick Enright
1988 Emerald City by David Williamson
1986 No Sugar by Jack Davis
1978 The Club by David Williamson
1973 Don's Party by David Williamson
1972 The Removalists by David Williamson
Past nominees
2013 MAN IN THE MIDDLE by Ron Elisha
2012 Neighbourhood Watch by Lally Katz
2012 10,000 BEERS by Alex Broun
2010 And No More Shall We Part by Tom Holloway
2009 Ruben Guthrie by Brendan Cowell
2002 Charitable Intent by David Williamson
2002 CONNIE AND KEVIN AND THE SECRET LIFE OF GROCERIES by Noëlle Janaczewska
2001 The Great Man by David Williamson
2001 MILO'S WAKE by Margery Forde, Michael Forde